Thursday, February 24, 2011

Weather - Clothes

The weather in Europe in March can range from sunny and warm "hoodie" weather to snowy and bitterly cold "sweater, waterproof jacket, gloves, toque, scarf" weather.  You're enjoyment of the trip will be dependent on bringing the right clothes and wearing them on the right days.  For example, if you were walking back from the Hofbrauhaus in Munich tonight in a t-shirt & hoodie, you would not be enjoying yourself, as it is -10 C with snow flurries possible.  You would probably be fine in that hoodie strolling around Florence today though, as it is +12 C and sunny.  We will monitor the weather as we get closer to the trip, but you all need to come prepared for variable conditions.

I've put the short term weather forecast for Paris in the sidebar, since Paris is the first big city we will be visiting on the trip.


Below:  Budapest, 2010 - happy in our winter gear:

Below:  Cinque Terre, 2010 - hiking in the warm Mediterranean sun, 5 days later!

Sunday, February 13, 2011

Connections

I took my wife Lisamarie to the Vancouver Opera's production of Mozart's La Clemenza di Tito last night (early Valentine's). Wonderful. This morning, while researching some of the historicity of the story in the opera, I was amazed at all the connections within Europe that come together in a production like this. The music was written by Mozart, famous Austrian composer from Salzburg (we will be visiting the cathedral where he played organ as a child), and the words were written by Metastasio, an Italian librettist. It is about the Roman Emperor Titus (aka Tito), who was known by the citizens of Rome for his kindness and mercy (and for finishing work on the Flavian Ampitheatre - the Coloseum in Rome). History is full of different perspectives though, and Titus is remembered by the Jewish historians of the day as the destroyer of the Temple in Jerusalem in 70 AD. When Mozart was commissioned to compose an opera for the coronation of King Leopold in Bohemia (capital - Prague, where we spent 2 days last year) in 1791, he chose the already written libretto about Titus because Leopold, while he was the Duke of Tuscany (capital Florence - where we spend our last two days) was, like Titus, known for his progressive policies and treating his citizens with respect (for example, he outlawed the use of torture in interrogations). The opera is a blatant tribute to the idea of a benign king or emperor, and was very timely for the monarchs of Europe, as the French Revolution and it's anti-monarchist stance was spreading fear amongst the nobility and perhaps giving the common people in other parts of Europe ideas. On another side note - Leopold's little sister, Marie-Antoinette, had, of course, married into the French monarchy and was a primary target of the revolution in France, eventually losing her life to the national razor. We will visit her palace as well as the spot where she lost her head in Paris. And the name Tito itself was adopted, in recognition of the beloved Roman Emperor, by Josep Broz, communist leader of the now defunct Yugoslavia from 1953 - 1980 (we will visit his favourite vacation spot, Lake Bled, in Slovenia, a former province of Yugoslavia). So many connections!
Above, from Vancouver Opera's La Clemenza di Tito:   Emperor Tito in the background, deciding to show mercy to Sesto, who has been caught in a plot against him.  The real Emperor Titus in fact did show clemency to his brother Domitian who had been discovered orchestrating a scheme to overthrow him - which may have been his downfall, as Titus died under mysterious circumstances (poison?) at the age of 41, uttering the final words "I have made but one mistake." Domitian became the new emperor...

Saturday, February 12, 2011

Booking Pisa

The big tour companies (EF, Explorica, etc.) that stop at Pisa in Italy do what I call a drive-by - out of the bus and snap a photo of the tower and its famous lean, back on the bus and on your way. But they're missing something fantastic - a walk up those 296 crooked steps gives you a new appreciation for solid, flat ground. I think there are two reasons why they don't go up - it's expensive, and it's a headache to book. But we've been making the climb every year since 2006, and it's worth the money and effort. The trick is to count back 45 days from the day you will be at the tower, mark it on your calendar, and make sure you don't miss booking the tickets on that day. There is a window of opportunity to book tickets between 15 and 45 days before you arrive in Pisa, and I've found with 54 people I have to book them on the first day they are released. So it's 45 days to Pisa, and in a few hours the tickets will be released for on line booking - 10 per time slot. So I've got to book us in 6 different time slots, which are 20 minutes apart from each other. Which works out great when we are there, because there is so much more to see around the tower - and while one small group is climbing the stairs, the rest of us are enjoying the cathedral or the baptistry or the souvenirs or some great pizza!